Explore art photography
The Emily Dickinson Series
The Emily Dickinson Series is a collection of collages by Janet Malcolm that appear in Granta 126: do you remember.
Zone of Absolute Discomfort
The icy hinterland is wretched to live in, but just hospitable enough to allow for the extraction of billions of tons of resources trapped beneath the ground.
A Sparrow Fallen
‘a sparrow fallen; / blackness of pain shimmering / hard in soft white light’
Artist Steffi Klenz recaptures portraits based on photographs of travellers, explorers and seamen who were lost in open waters, and whose bodies were never recovered.
The Best of Young British Novelists
Nadav Kander's stunning portraits of Granta's Best of Young British Novelists 2013.
Darcy Padilla's ‘Julie’ is not only a devastating portrait of a woman enduring the horrors of poverty and addiction but also a legacy of a relationship between subject and photographer that spanned decades.
‘From this, I developed the idea of the kingfisher’s search for a nest taking place over the course of a day, and this day being a microcosm of her world and a greater search for home and for meaning.
‘There is of course an absurdity to these censored images since their overt, bold and graphic nature only draws attention to the very sites that are meant to be hidden.’
A Garden of Illuminating Existence
‘Witnessing her death, I understand the meaning of love.’
About the Cover
‘My attempts are mocked by the monstrosities that leer up at me from the page.’
Still Lifes from a Vanishing City
‘An insight into how we might live in a city that was built by an unsustainable system, and how those ‘less-than-fortunate’ people have made their lives out of what others have left behind.’
The photo essay in our new issue, ‘Contacts’ by Adam Broomberg and Oliver Chanarin, presents some of the photographers’ work from the Belfast Exposed Archive – a library of contact sheets founded in 1983 as a response to concerns over the careful control of images depicting British military activity during the Troubles.
For the visual essay in Granta112: Pakistan, we collaborated with Green Cardamom – an organisation which focuses on international contemporary art viewed from an Indian Ocean perspective. With their help, we selected fourteen prominent figures from the contemporary art scene in Pakistan, and reproduced their work in the magazine.
‘My father was up early. Everything was in place: his books in their bag; each prayer and reading marked; his shoes shined, his shirt and collar, his cassock and cope pressed.’
‘Chicago was the first large American city I visited after I came to the United States from my home country, Chile.’
One Ridge Over
‘Some mornings I see him coming up through the mist. The grey shape of a long-haired man carrying a long-barreled gun amid the bare grey branches of the old apple trees.’
‘It was an isolated incident, and there had been no official or unofficial communication about it.’
‘The images of the Romanian revolution – I had seen it on television in Berlin – were still vivid in my mind.’
‘One mutual friend described it as his favourite bar. Of course the drinks are free’.