She had already imagined it all, so much so that when she finally did see him, she felt unable to speak.
By the next time she saw him she had discovered, without much effort and without his knowing, his last name, then his entire work history, previous places of residence, former wife’s occupation and location, children’s names. She had seen photos of friends of them all. She had learned about his …
Nothing to see here!
What made him do what he did? Could it have all been for an ice cream bar, really? Will any of us ever know?
What made him do what he did? Could it have all been for an ice cream bar, really? Will any of us ever know?
What made him do what he did? Could it have all been for an ice cream bar, really? Will any of us ever know?
What made him do what he did? Could it have all been for an ice cream bar, really? Will any of us ever know? What made him do what he did? Could it have all been for an ice cream bar, really? Will any of us ever know?
‘At the desk they said they encouraged guests not to walk, but she was determined’
‘Nathan: there’s something in the basement. In the locked rooms I was telling you about.’
‘A series of extraordinary portraits of the Arctic wilderness and the intimacies of love.’
Listen to Oliver Bullough, Peter Pomerantsev and Philip Ó Ceallaigh at the launch of Granta 134: No Man’s Land discuss the legacy of communism in eastern Europe.
Peter Pomerantsev’s anti-travelogue on Putin’s Russia, Nothing Is True and Everything Is Possible, has won the 2016 Royal Society of Literature Ondaatje Prize.
‘Her old lovers were ghosts. None of them had survived; none were missed.’
